Demystifying Cameras … DSLR, Mirrorless, EVIL, etc

Demystifying Cameras … DSLR, Mirrorless, EVIL, etc

Three common camera designs
Three common camera designs

Let’s clear the air. Is the DSLR dead? And what exactly is a DSLR anyway?

Ten years ago, most people assumed that DSLR meant “really good camera”. (Some folks still believe this.) Over the past three years, numerous commentators have pronounced that mirrorless cameras have killed the DSLR. Both these sentiments are a mix of truth and falsehood.

First of all, DSLR means Digital + SLR. It is the digital successor to SLR film cameras. If we all agree that we’re talking about digital cameras, then the “D” is superfluous.

SLR (DSLR) = single lens + reflex mirror.

These cameras have two distinguishing characteristics. “SL” means single lens. “R” means reflex mirror. An SLR allows the photographer to optically see through the exact same lens that the camera uses to capture images; it does this using a mirror to redirect the light. In general, the mirror must be moved out of the light path when capturing an image; that’s why it is called reflex. (There are some exceptions; E.g. Canon EOS RT, circa.1990.)

System camera = camera with interchangeable components.

The most common system feature is choice of interchangeable lenses. Second most common system feature is a “hot shoe” for external strobes and other accessories. While interchangeable lenses implies “system”, the reverse is not entirely true; some camera systems do not include interchangeable lenses. Some camera systems offer lens accessories to make the built-in lens more telephoto or more wide-angle; for example: Olympus C5060 (2003), Fuji X100 (2015).

Compact system camera.

A system camera that is smaller than a typical DSLR. As mirrorless cameras are commonly half the size of a typical DSLR, mirrorless + system camera is often referred to as a Compact System Camera.

Mirrorless camera.

Mirrorless cameras eliminate the mirror found in SLR designs. There are two practical implications: the camera is smaller than comparable SLR and it lacks an optical viewfinder.

The term mirrorless camera generally implies a digital camera; however, I must point out that many older film-based cameras do not have a reflex mirror. View camera, twin lens, and rangefinder are all examples of mirrorless camera designs.

Eye-level viewfinder.

To see through the camera, you place the camera near your eye. There are three types of eye-level viewfinder. (1) Optical viewfinder, typical of a DSLR / SLR; (2) rangefinder (or possibly a twin-lens camera) which employs a second lens, separate from the lens used by the camera to capture the image; (3) electronic viewfinder which displays the image using a tiny digital display within the viewfinder. The first two are “optical” and require no electrical power, while an electronic viewfinder relies upon electronics.

Alternatively, a large display panel can substitute for an eye-level viewfinder. For example, a camera phone does not include an eye-level finder. But if you’ve ever struggled to use such a camera in bright sunlight, you may appreciate that an eye-level viewfinder can have advantages.  Additionally, optical viewfinders do not eat your battery as digital display panels do.

EVIL = electronic viewfinder + interchangeable lenses.

Electronic viewfinder implies mirrorless. Typically, the combination of EV+IL implies a mirrorless camera system, which in turn implies compact system camera. However, as mentioned previously, a system camera may not have interchangable lenses. The term EVIL is more specific.

TTL = Through The Lens

This refers to an electronic exposure meter built in to the camera. A TTL meter measures the light coming through the lens used to capture the image.  TTL is common for many different types of cameras, including SLR and mirrorless.

Let me give you one specific example where TTL is important.  If you place a dark polarizing filter on the lens, the light entering the lens is diminished.  TTL metering is immediately and precisely aware of this.  If the meter is not measuring the light through the lens, then you have to manually adjust the camera controls to compensate.

Is the SLR “dead” ?

No, not yet.

As we said earlier, some people have equated SLR with “really good camera”. In that respect, the venerable SLR no longer stands alone.

Recognizing the technical meaning of the SLR acronym, mirrorless designs eliminate mechanical moving parts inside the camera. That is a compelling feature. And mirrorless designs tend to be much smaller, which is also compelling in many circumstances.  However, the concept of an optical viewfinder + single lens … is still amazing, stunning, cool, and practical.

Honestly, I choose and use both SLR camera systems and mirrorless camera systems.  They each have strengths and weaknesses.  Did you know that “compact” isn’t always a good thing?  But that is a subject for another day.

Canon EOS 7D mark II … is finally real

Canon EOS 7D mark II (image from Canon press release)

A month ago, I wrote of the Canon rumor mill and the forthcoming EOS 7D mk II.  Today, Canon officially announced that camera.

  • With 65 auto-focus points, your subject can anywhere in the frame (far away from center) and still achieve focus
  • Low-light shooting to ISO 16,000  (push it to ISO 51,400, but with added noise)
  • Excellent auto-focus in low light
  • Burst shooting at 10 frames-per-second
  • HD video at 60 frames-per-second
  • Uncompressed HD video output via HDMI connector
  • Built-in intervalometer  (with any other Canon DSLR, an external Canon intervalometer costs $130)
  • Priced less than $2000

—>    Canon EOS 7D mark II – first impression

—>    Scott Kelby’s first impression of the 7D mk II

I have been using the 5D mk II and chose not to upgrade to the 5D mk III when that was released (about 18 months ago).  The 7D mk II is the camera I was expecting and need for video and sports applications. (I do wish it had a tilting LCD screen.) On some points, Nikon’s cameras may still have an edge over the Canon 7D mk II.  For example, the recently announced Nikon D750 includes Wi-Fi, a tilting LCD screen, may yet have better image quality at ISO 12,800.  Yet, the 7D mk II price tag is $500 less than the D750 !

The whole Canon vs. Nikon thing is so over-done.  Both companies succeed in pushing each other to  new heights.  Fact is … my lenses and other accessories are all Canon and I don’t care if a particular Nikon camera has one additional feature.  Cameras are like shoes … the most important feature is how it feels to you.

 

The Next Big Thing – The “Buzz” Around New Cameras

Regarding possible upcoming cameras, the rumor mill regarding Canon cameras is ridiculous. Back in 2007, the rumors were circulating about the upcoming EOS 5D mark-II, which was not actually available until 2009.  Sometimes, I wonder if the manufacture is secretly feeding the anticipation buzz.

OLYMPUS DIGITAL CAMERA

I am patiently awaiting the EOS 7D mark-II, a revision of the 7D.  Over the past 12 to 18 months, rumors have been cropping up every month and the predictions just keep slipping further out, month by month.  The latest rumor suggests the camera will be announced the Photokina show in September 2014.

 

Why 7Dm2?  Because it promises a few features that would be useful to me.  First, faster auto-focus and high-speed shooting for sports (maybe 10 frames/second), similar or better than the existing 7D model. Second, auto-focus for video similar to the 70D, which was released several months ago.
These features are not curiosities that I simply “want”; these are limitations in my current DSLR, which I seriously need to remedy.

Canon to make Big Splash in September

If the camera is announced in September, there is only a very small chance that it would actually be available to purchase by end of this year.

Ultra-HD – Cameras For 4K Video

Until now, 4K (also known as ultra-high-definition, or UHD) was the realm of cinema … movie theaters.  But 4K televisions began to enter the retail stores in 2013.  We will surely see more of this in 2014.

In parallel, we have been seeing consumer cameras that support 4K, many of them selling for less than $1000 US.  This poses a technical challenge for small film makers … a data rate four times higher than HD.  (May have to update your video-editing equipment.)

Here is the history of 4K cameras costing $5000 or less.

Blackmagic Production Camera  (2012)
JVC GY-HMQ10   (2012)
GoPro Hero3        (2012)
GoPro Hero3+      (2013)
Sony PXW-Z100   (2013)
Sony FDR-AX1      (2013)
Sony A7s               (2014)
JVC FDR-AX100   (2014)
JVC GY-LSX2        (2014)
Panasonic GH4     (2014)
Panasonic FZ1000 (2014)

How to replace the lens of a GoPro Hero camera

How to replace the lens of a GoPro Hero camera

The lens included with a GoPro Hero 3+ has a focal length of 2.5 mm and has a field of view akin to a 14mm lens on a full-frame DSLR. It is “fisheye”. You can set the camera to a narrow capture setting, but this will crop the image, discarding some of the pixels.

Replacing the lens mount in a GoPro Hero3+
Replacing the lens mount in a GoPro Hero3+

 

Super wide is fine if you are attaching the GoPro to your helmet or a surfboard.  For me, the stock Hero3 lens is too fisheye and I want a narrower field of view.

There are many available replacement lenses, but most lack the quality required to capture 10 megapixel images.  Most lenses are good enough quality to capture 5 megapixel images. I found two companies that sell a 5.4mm lens, having a 60 degree field of view, and rated as being sufficient for 10 megapixel images:  RageCams (USA) and Vision/Dimension (Germany).

On paper, these two products seem equivalent, but there are a few important differences.

  • The 5.4mm lens from RageCams is easier to install. The lens from Vision/Dimension requires disassembling the camera and replacing the lens mount.
  • If you do it yourself, the cost of a 5.4mm lens from RageCams is higher than the cost of a 5.4mm kit from Vision/Dimension.
  • If you don’t want to mess with the camera yourself, you can pay RageCams to do the replacement for you.  The cost of parts and labor is more than the cost of the GoPro Hero3+ camera
  • The Vision/Dimension lens includes infrared filter for daylight use.  The RageCams web site states that an IR filter will cost you an extra $55.

 

Huh?  What’s the problem deal with the lens mount?

The lens mount is a standard M12 lens mount, a simple threaded barrel.  To change the lens, you theoretically unscrew the existing lens and screw in another lens.  However, if I understand this correctly, there is a subtle quirk to the GoPro lens mount, which may mean that your new replacement lens will not focus properly.  The lens mount is a female-threaded tube, but apparently the full length of the tube is not threaded; the front-most part lacks threads.  If your new replacement lens has a short barrel length, you will be able to screw it in, but the distance to the image sensor will be too close for proper image focus.  The 5.4mm lens from RageCams has a slightly longer barrel than the same lens from Vision/Dimension.

Lens replacement options

Option 1:
Ship your GoPro Hero camera to RageCams and have them replace the lens. This is both the simplest option and the most expensive option.

Option 2:
Buy a replacement lens from RageCams and replace it yourself.

To grip the lens with a pliers, you first need to remove the decorative plastic ring on the outer body of the GoPro.  This part is quite simple and you can find videos on YouTube that show how it is done.

The lens is fixed in place with a bit of thread-lock.  To unscrew the lens, you probably have to apply heat to the lens with a heat gun (without melting anything).  Again, there are helpful videos on YouTube.

Option 3:
Buy a replacement kit from Vision/Dimension and replace it yourself.  This kit includes the lens and a lens mount that is fully threaded.  Replacing the lens mount is a bit difficult
www.vd-shop.de/instruction-replace-gopro-lens-a-80.html

Option 4:
Install an adapter that allows you to use almost any lens.  While this enables the use of high-quality lenses and allows the use of variable-aperture lenses, it necessarily makes your GoPro physically larger and heavier.  Refer to this link: www.back-bone.ca

I bought the Vision Dimension kit.  While the price of this kit seems significantly less than cost of a comparable lens from RageCams, there are hidden costs.  Shipping from Europe to the USA cost me $45 and then I received a bill from Federal Express for an import duty of $20.  In the end, buying from Vision Dimension did not save me as much money as I had thought it would.

Looking at the photo at the top of this blog, you can see “10MP” (10 megapixel) is printed on the lens.  Also printed on the lens (not visible in this photo) is “IR Cut”, indicating that a daylight IR filter is present.

Disassembling a $400 camera, that has really tiny parts, is not a task for the faint of heart.  A video from Vision Dimension demonstrates the procedure; you can view that before making your decision.  To avoid this hassle, pay a bit more money and buy the lens from RageCams.

If you replace the lens yourself …

You have somehow replaced the lens … and now need to adjust it for sharp focus.

  1. Start by setting the approximate focus; load the GoPro app on an iOS or Android device to achieve a live preview of what the camera is seeing.  When the focus looks good, here is an extra step to ensure that the focus is as good as possible.
  2. Temporarily make a few markings on the outside of the lens; I attached five small pieces of white tape.  Adjust the lens to each mark, one at a time, and capture a photograph.
  3. Study the resulting photos at high magnification and pick the sharpest photo.  Adjust the lens to the corresponding lens mark.
    Repeat the procedure on a finer scale.  I captured three photos, one on center, one slightly to the left, and one slightly to the right.

You do need a dab of glue or thread-lock to prevent the lens from turning inadvertently.  You might put this on the threads before inserting the new lens.  I was afraid that this might inhibit lens adjustment, so I adjusted the lens first, then unscrewed the lens, added a dab of glue to the threads, and re-inserted the lens. The trick to this is to count the number of revolutions when unscrewing the lens, so that you can easily get back to the point of sharp focus.  Personally, I counted 13.5 turns of the lens.  (In retrospect, the glue I used did not set quickly and I could have applied it before first inserting the lens.)

Finally, note that the new lens sticks out a bit further from the Hero camera body, compared to the original lens.  It’s probably not going to fit in the waterproof housing.  The Vision Dimension kit includes a spacer ring that you put between the Hero and the housing.  The RageCams web site advises that you remove the foam cushion from the rear door of the housing.

In the end, I am disappointed with the image quality from the Hero3+.  While I believe this is largely due to the camera, I have not as yet proven/disproven the claim that this lens is good enough for 10 megapixels.

 

 

New DSLR designed for Wildlife Photography

TheDigitalPicture.com breaks news of a top-of-the-line DSLR for wildlife photographers.
Reading some of the features, I arrived at … Birds in-flight focusing mode!?  Wow!  Animal Eye Tracking!?  Amazing.  A built-in sound generator to produce animal calls.  Incredible … maybe literally, not credible.

But of course, today is April Fools day.  Well played, Sean and Bryan.

 

Announcement: New Canon DSLR for wildlife photography

 

History of DSLR cameras

Some photographers are very brand-loyal and biased, particularly regarding Nikon and Canon.  All I can say is … thank goodness for Canon AND Nikon, competetively driving each other to create excellent cameras.

Here are a few highlights from the history of DSLR cameras.
(intentionally ignoring digital backs for medium format cameras)

  • 1991 Kodak DCS-100  … first DSLR  (based on a modified Nikon body)
  • 1995 Canon/Kodak DCS 3 … Kodak digital camera back on a modified Canon body
  • 1999 Nikon D1  ………. first practical/affordable DSLR for mass market
  • 2001 Canon 1D  ……… landmark for sports photography; 8 fps and reduced shutter lag
  • 2002 Canon 1Ds …….. first DSLR with a full-frame sensor
  • 2004 Fujifilm FinePix S3 Pro… first DSLR with live preview
  • 2007 Nikon D3 …………. Nikon’s first Fx (full-frame) DSLR
  • 2007 Canon 1DS mkIII .. 21 megapixels, first DSLR to exceed 18Mp
  • 2008 Nikon D90 ……….. first DSLR to shoot 720 HD video
  • 2008 Canon 5D mkII …. first DSLR to shoot 1080 HD video
  • 2012 Nikon D3200 ……. 24 megapixels, Nikon’s first DSLR to exceed 18Mp
  • 2012 Nikon D800 …….. 36 megapixels

References:
http://www.print-digital.info/articles/history-of-canon-dslr.html http://www.kenrockwell.com/nikon/dslr.htm

Pixel RW-221 wireless remote camera trigger

Some situations require remotely triggering a camera.  The RW-221 is an inexpensive remote trigger.  It looks well made and worked well in my initial testing, however … the first time I ever used the RW-221 for a real shoot, it broke.

There was a dense crowd of people in Boston that day and someone tried to squeeze between me and the shrubbery … I lost balance and pushed hard on the button of the RW-221.  The button slid into the plastic case such that it could not pop-up (the normal un-pressed state).  I was on location and had no backup for this tool.

Upon taking it apart, I found that the plastic button is supported by a very small plastic pin, which easily snapped under pressure.   Although I repaired it with a bit of glue, I have to conclude the following:
1) due to a design flaw, the RW-221 is not robust/reliable; be gentle.
2) always have a backup for your equipment
2) anyone who has this device or is purchasing it new, take it apart and re-inforce the pin with a bit of epoxy

 

Ultimate Lens for Sports & Wildlife

There are telephoto lenses and there are telephoto zoom lenses.
Then there are tele-extenders which increase the magification of a lens.
And … then there is this; three telephoto zooms in one lens.

However, it is still not available today, though originally planned for release in mid-2011.
Price tag (yet to be announced) may cause shock or heart arythmia.

http://www.the-digital-picture.com/Reviews/Canon-EF-200-400mm-f-4-L-IS-USM-Extender-1.4x-Lens-Review.aspx

http://cpn.canon-europe.com/content/news/telephoto_zoom_lens.do

latest update:  http://www.canonrumors.com/tag/200-400/

 

(I would like to include the photo from Canon, but their website states: protected by copyright, kindly do not copy.)

Local Camera Store

Having a local camera store is very nice; not everyone does.  North of Boston, there are a few.  My preferred store is Hunts Photo & Video, in Melrose.  Calumet has a store in Cambridge.  There are a few more stores directly within the city of Boston.  I have a friend who lives in Newton and he likes Newtonville Camera (but I have never been there).

More than a decade ago, Hunts would hold an annual camera show at the World Trade Center in Boston.  That was a terrific event!  But since they have ceased to do that show, they hold a small event twice per year in the Melrose store … and I believe once per year in their other locations.  This weekend is one of those events. There are several educational presentations throughout today and tomorrow, but only one that I thought might be interesting to me.  Honestly, the autumn event is better than the spring event.

I spoke with a Canon representative regarding the EOS 5D mk III.  Special pricing was a mere $50 rebate (or discount, I’m not sure).  That’s trivial.  If they have the camera in stock (I expect that they did have a few, but did not ask), that is more significant than a tiny discount, less than 3% the camera pricetag.  I did not bite.  While I may someday buy a 5D mk III, my current battery grip E-6 (which fits the 5D2) will not fit the 5D3; the cost of a new BG-E11 adds 10% to the cost of a 5D3 body.  (For me, the grip is a must-have accessory.)

I spoke with an Epson rep regarding special pricing on the 3880 printer. He said the price is $1230, but as an Epson rep, he would take off $80 because he can.  With a $250 rebate, the final price is $900.  A good price, but is no better than what anyone can order from B&H any day of the week.

In the end, I purchased nothing today. (But I might yet return and trade in an old Gitzo ball head for a new fluid head.)